- 电影
客机空战|航空大对决
高清
2020动作片
Russian operatives hijack a commercial American jet, planning to crash it into a nuclear power plant near Washington, D.C. resulting in fallout that will devastate the Eastern seaboard. With little time for Air Force fighters to shoot it down, the passengers and crew aboard the aircraft must rely on their own military and civilian training to stop the terrorists before it's too...
- 电影
圣诞顽童历险记|圣诞历险记DialCodeSantaClausGameOverHiDeandFreak
高清
1990动作片
一个会玩电脑、动手能力超强的男孩和母亲、爷爷住在一栋大房子里，圣诞节他要求圣诞老人到家服务，结果上门的是个杀人的疯子!他利用各种玩具、工具和疯子在家中周旋……最后带爷爷逃脱。
- 电影
鬼娃回魂3|灵异入侵3灵异入侵少年兵团
高清
楚其被熔毁之后八年，玩具公司为打开销路考虑再度推出“好家伙”公仔，他们将当年楚其的残骸回收，再度制作使其复活，获得重生的楚其为了完成灵魂转移，将玩具公司总裁杀死后消失于夜色。安迪（Justin Whalin 饰）经历了八年收养生活，此时来到一所军校就读，当年楚其留给他的恐怖回忆仍然挥之不去，而在学校中应付严苛的助理上校谢尔顿（Travis Fine 饰）亦并不轻松。楚其将自己邮寄到军校以寻找安迪，不料却被小学员二等兵泰勒占为已有，楚其认为自己的身体获得新生，可以摆脱必须占有安迪身体的宿命，随即把自己的秘密告知泰勒，并计划夺走泰勒的肉身。安迪不能坐视同侪受害，再度与楚其展开抗争……
- 电视剧
烈焰燃情
14集全
2017泰国剧
雅达（沃拉娜特·旺萨莞 Woranuch Wongsawan 饰）的妹妹即将和相恋多年的未婚夫查克里特（提拉德·翁坡帕 Theeradeth Wonpuapan 饰）携手步入婚姻的殿堂，哪知道在举行仪式的节骨眼上，查克里特抛下了雅达，逃跑了。雅达妹妹不仅遭受了感情上的背叛，还在朋友亲戚面前颜面失尽，无法接受这样的结果的她想要结束自己的生命。在这个节骨眼上，一直默默关心女孩的塔桑纳特（维塔亚·瓦苏格拉派汕 Witaya Wasukraipaisarn 饰）出现了，他不仅救下了这个可怜的姑娘，还收留了她。那边厢，雅达为了参加妹妹的婚礼回到了故乡，哪知道妹妹遭此横祸，还失踪了，焦急的雅达开始寻找妹妹的下落。在此过程中，雅达邂逅了查克里特，她并不知道他就是一切事件的元凶，两人之间碰撞出了激情的火花。
- 电影
柠檬树小道|DeathPassage
高清
2014恐怖片
A couple of Australians introduce three American backpackers to the local legend of Lemon Tree Passage where a ghost of a motorcyclist warns young drivers to slow down. After seeing the ghost first hand they uncover a malevolent force that posses the area and threatens to wreak havoc on the final days of their vacation. Isolated and ten thousand miles from home, the tourists fi...
- 电影
诱饵|饵(台)
高清
康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。 Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。 The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
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